So, I'm starting a new MS and of course, this means I'm creating a new set of characters. Ideas always come to me a little bit differently, sometimes the characters come first, sometimes a scenario comes first. When the scenario comes first I tend to think 'well, okay...what characters would have the most conflict with this!'
In this instance, the plot came before the characters. I knew I needed a prince, and I knew I needed a commoner. Beyond that, I had nothing in mind. So I had some free rein in creating the people that wanted to inhabit my new little world.
First order of business was to figure out who the hero was. He had to be commanding, of course, and sexy, and powerful. He's a prince after all. And as I'm partial to dark haired, dark skinned men, he was lucky enough to be blessed with hose attributes. But that isn't who he is. So I had to dig deeper and figure out what his internal conflict was. What would hold this man, with wealth, power, everything he could want at his fingertips, back from falling straight into love with the heroine?
So as the picture of my hero began to form, the heroine started taking shape. I knew the hero was going to be all about duty and honor, a very straight laced, traditional kind of guy. And I knew that with that, I wanted a woman who didn't back down from a challenge, who had wit to spare and who knew how to hold her own. Her personality was formed as a foil to his, so that she was someone who would both compliment and challenge the hero that I had created. Even her looks were designed to be in opposition to something: the woman my hero is *gasp* engaged to.
Then I started going deeper into her, figuring out where she came from, and what things are hang-ups for her, what sorts of things would bother her and which things would roll off her back, and ultimately, what would be the breaking point for her in a relationship.
From the character histories that I created came all kinds of things about them, the way they move, the way they talk and the way they react in certain situations.
Caitlin, my heroine, for example, is from the Midwest and has a much more casual speech pattern than Renzo, the hero, who speaks English as a second language and grew up in a much more formal environment.
Character building, for me, is never the same thing twice. With my last MS I created two people with a fairly complete history and then though: What would be about the most difficult situation for them to deal with? Then I threw it at them. As far as internal conflict went, this made writing that MS pretty straightforward.
How do you do it? How do you build characters and bring them to life? What comes first, the characters or the plot?
Am Moving My Blog
5 years ago